Last edited by Vozahn
Tuesday, August 24, 2021 | History

4 edition of Italy from Dante to Tasso (1300-1600) found in the catalog.

Italy from Dante to Tasso (1300-1600)

its political history as viewed from the standpoints of the chief cities with descriptions of important episodes and personalities and of the art and literature of the three centuries

by Cotterill, H. B.

  • 292 Want to read
  • 12 Currently reading

Published by G. G. Harrap in London .
Written in English

    Subjects:
  • Cities and towns -- Italy -- Description and travel.,
  • Italy -- History -- 1268-1492.,
  • Italy -- History -- 16th century.,
  • Italy -- Intellectual life.

  • Edition Notes

    Includes index.

    Statementby H. B. Cotterill
    SeriesGreat nations, Great nations (London, England)
    The Physical Object
    Paginationxxviii, 617 p., [33] leaves of plates :
    Number of Pages617
    ID Numbers
    Open LibraryOL24181246M
    OCLC/WorldCa4082851


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Italy from Dante to Tasso (1300-1600) by Cotterill, H. B. Download PDF EPUB FB2

Andrea Moudarress The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso is an eloquent and original account of the Renaissance epic. Professor Andrea Moudarres, UCLA Department of European Languages and Transcultural Studies, discusses his recent book, The Enemy in Italian Renaissance Epic.

Images. Dante set a precedence that subsequent Italian writers followed, such as Boccaccio, Petrarca, and Tasso. More important, Dantes Italian became the accepted. Contributors focus on major literary figures from different cultures, including Dante, Petrarch, and Tasso from Italy; and from England, Chaucer, Wyatt, Sidney.

In Dantes Divina Commedia, Luigi Pulcis Morgante, Ludovico Ariostos Orlando Furioso, and Torquato Tassos Gerusalemme Liberata, all forms of enmity are internal. English: Madonna in Adoration, Filippino Lippi Identifier: italyfromdantetocott (find matches) Title: Italy from Dante to Tasso (): its political.

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Images of Hostility from Dante to Tasso follows the same narrative of internal strife, exploring enmity within the self, the state, and the world through the prism. Having Dante rate Ariosto and Tasso greater still than Petrarch (), Byron implicitly privileges the epic tradition, but without thereby clarifying his own.

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Unlike Dante or Ariosto, Tasso did not succeed in objectifying a world in the epic manner. In celebrating the deeds of heroes, he remained subjective and lyric.

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